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CLASSROOM 4
A DOCUMENTARY SHORT FILM
TRAILER
2025 / USA / 39 minutes / English
LOGLINE
CLASSROOM 4 follows a course taught inside a prison, involving students from a nearby college and incarcerated students, about the history of crime and punishment in the US.
SYNOPSIS
CLASSROOM 4 is the story of an award-winning History professor leading a group of students, half incarcerated and half free, in a class titled THE HISTORY OF CRIME AND PUNISHMENT IN THE UNITED STATES. Through exploring concepts including masculinity, prison abolition, and mercy, the work challenges the invisibility of incarcerated people, reveals the consequences of mass imprisonment for everyone, and emphasizes the importance of these programs to bring together the incarcerated and free to meet and know one another.




DIRECTOR'S STATEMENT
Witnessing the inside-out prison exchange program in History 238 Crime and Punishment in the United States was nothing short of extraordinary. As a filmmaker, you often find yourself in moments where the energy in the room is so charged, so palpable, that you wonder if that very energy can be captured, if it can be conveyed through the lens of a camera and shared with those who will experience it from a distance. This was one of those moments. The chemistry between the incarcerated and free students was unmistakable, and it was my great privilege to help shape that footage and translate the profound power of their interaction into something meaningful for a broader audience.
Through exercises like the wagon wheel, the film bears witness to a transformation—a deepening sense of community, trust, and understanding. I watched as these students from different walks of life opened up to one another, finding creative ways to communicate across the barriers of their different life experiences. It was an exchange, yes, but it was more than that—it was a reminder of our shared humanity, of the connections that can be made even in the most unlikely of places.
Professor Reiko Hillyer and I have been friends since childhood, so I’ve been hearing about this class for years. When we set out to capture this experience we weren’t sure whether it would become a documentary. What mattered was the act of documenting these people coming together—learning, challenging one another, and growing together. Even if it was just for archival purposes, it felt important and meaningful.
But as we filmed, something shifted. The enthusiasm from the students, their desire for the footage to be shaped into a film, and the undeniable power of their collective story made it clear: this was more than just a class. It was a story that not only deserved to be told, it needed to be told; a story that could resonate far beyond the walls of that classroom.
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Our hope is that this film will do more than just shed light on the Inside-Out Prison Exchange Program. We hope it will challenge viewers to think critically about mass incarceration in the United States and to consider its impact on individuals and communities. And perhaps, most importantly, we hope it will inspire a deeper appreciation for the kind of teaching we see from Professor Hillyer—teaching that’s not just about imparting knowledge, but about fostering curiosity, understanding, empathy, and the potential for transformation.
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Eden Wurmfeld, December 4, 2024, New York City

Director/Producer
EDEN WURMFELD
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Producer
YAEL BRIDGE
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Director of Photography
SEAN CONLEY
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Editor
LAWRENCE LEREW
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Executive Producers
ZANDER ARKIN
TRACEY BING
EDWARD NORTON
CHARLIE PIGOTT
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Associate Producer
SIENA CADDLE
RESOURCES
​A Wall is Just a Wall: The Permeability of the Prison in the Twentieth Century United States by Reiko Hillyer (Duke, 2024)​
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"Is Redemption a Human Right? New Book Tracks the Demise of Clemency"
Interview with Reiko Hillyer (CNN, 2024)​
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Prison Abolition Syllabus 2.0 (Black Perspectives, 2018)
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The Classroom 4 Syllabus
Mitchell Jackson, Survival Math: Notes on an All-American Family
David Oshinsky, Worse than Slavery: Parchman Farm and the Ordeal of Jim Crow Justice
Bryan Stevenson, Just Mercy: A Story of Justice and Redemption
Derecka Purnell, Becoming Abolitionists: Police, Protests, and the Pursuit of Freedom
Mariame Kaba, We Do This ‘Til We Free Us: Abolitionist Organizing and Transforming Justice
Michel Foucault, Discipline and Punish: The Birth of the Prison
Angela Davis, Are Prisons Obsolete?
Keeanga-Yamahtta Taylor, From #Blacklivesmatter to Black Liberation
Naomi Murakawa, The First Civil Right: How Liberals Built Prison America
Paul Renfro, Stranger Danger: Family Values, Childhood, and the American Carceral State
Michelle Alexander, The New Jim Crow: Mass Incarceration in the Age of Colorblindness
Michelle Brown, The Culture of Punishment: Prison, Society, and Spectacle
Melissa A. Schrift, “The Wildest Show in the South: The Politics and Poetics of the Angola Prison Rodeo and Inmate Arts Festival,” Southern Cultures
Don Sabo, Terry A. Kupers, and Willie London, eds., Prison Masculinities
Joey L. Mogul, Andrea J. Ritchie, and Kay Whitlock, eds., Queer In)Justice: The Criminalization of LGBT People in the United States
Radley Balko, The Rise of the Warrior Cop: The Militarization of America’s Police Forces
Johann Hari, “The Likely Cause of Addiction has been Discovered, and It Is Not What You
Think,” Huffington Post
Naomi Murakawa, “Toothless: The Meth Epidemic, ‘Meth Mouth,’ and the Racial
Construction of Drug Scares,” The DuBois Review 8:1 (2011): 219-228
Naomi Murakawa, “The origins of the carceral crisis: Racial order as ‘law and order’ in
postwar American politics,” from Race and American Political Development
Atul Gawande, “Hellhole,” from The New Yorker (March 23, 2009)
